I would be happy to see these characters again, under a different writer/director team.
Have you ever considered that the Prime Directive is not only not ethical, but also illogical, and perhaps morally indefensible?
I would be happy to see these characters again, under a different writer/director team.
I think I liked it more than you did, but there are few criticisms I’ve seen that I don’t agree with. Enjoying it does not necessarily equate with thinking it was good, you know?
I’m hearing that she may have come aboard at Michelle Yeoh’s request.
Who was that hologram lady supposed to be at the end? She looks vaguely familiar but I couldn’t place her.
That was, unexpectedly, the legendary Jamie Lee Curtis.
LOL my guess - and it’s only a guess - is that this is what happens when the previous Emperor either dies or abdicates willingly.
Which would make it maybe the seventh most ridiculous thing about the Terran Empire.
Okay, I enjoyed it as a breezy action movie.
I had a goofy grin on my face for much of the first act - it had style, which sort of fell away over time, which was unfortunate.
The Georgiou story is by far the strongest aspect of the movie - long-lost lover seeking revenge isn’t the most original of plots, but it’s executed well enough, and Michelle Yeoh is pretty terrific as expected. I particularly liked her line about a monster with a conscience being useless.
The middle act probably should have been simplified. The mole storyline was a distraction that prevented us from getting to know the new characters, and every single one of them suffers for it. Garrett’s storyline needed more meat, and I would have appreciated more time spent with Alok beyond just the exposition of his backstory. Quasi skates by on Sam Richardson’s considerable charm alone.
All in all, I think the movie is worth the time, even if no one’s going to call it “deep” any time soon. I’d certainly be interested in watching them go to Turkana IV.
RIP Zeph. You were too beautiful for this world.
I appreciate the long answer - this is supposed to be a space for discussion!
I appreciate your perspective, too - I think if there’s a difference in our perspectives, it might be that I prefer to see aspiration through struggle. The TNG “sunny ways” were fine for its time, but I think it’s more meaningful - especially in the times we’re living through - to portray the eternal vigilance and struggle to get to the Federation “utopia” (I kind of hate that word, but you know what I mean) - and to maintain it once you’ve got it.
It’s interesting - I guess in my mind, the stuff SNW is doing is about as close to “traditional” Star Trek as it’s possible to get in the current landscape. What do you feel is missing?
I haven’t liked everything to come out of this era, but on balance I think Kurtzman has done a very good job with the franchise. One streaming movie that’s a bit of a dud (assuming I don’t like it when I actually see it) isn’t likely to change my opinion on that.
To be honest, that’s always been the core argument.
I don’t know where the line is - obviously, the morphogenic virus in DS9 was beyond the pale, but is it wise to expect hostile neighbours to be won over by sunshine and rainbows?
We have a thread set up to collect advance reviews - please feel free to share this there.
The Federation didn’t need 31 to win the war
Do we know that for certain? The cure to the virus was actually pretty fundamental to the Female Changeling ordering the Jem’Hadar to stand down. She refused to surrender until Odo linked with her and cured her.
I completely agree.
I’ve often thought that there must have been plenty of Section 31 operations that didn’t rise to the level of, you know, genocide, and that those operations were likely more ambiguous.
I’m hoping that whatever they’re up to in this movie is more in that vein - almost certainly illegal, but probably more ethically murky?
They were definitely villains in the series…but I don’t think DS9 ever made a strong case that they weren’t necessary (nor do I think they were trying to).
Right up until the end, the morphogenic virus was critical to the end of the war.
It’s quite difficult to describe the character of Fuzz. This is a species that we have never seen before.
…Huh. So neither Vulcan nor Romulan, apparently. It’s been a while since the word “Vulcanoid” has been on my mind.
So could any given episode of “My Little Pony” - in fact, the number of things that could say “Star Wars” on it is literally endless!
Yeah. I said in my original comment that the Georgiou storyline is the strongest one, but it still feels very much like the first chapter that sets up future development, rather than something that pushed her story very far forward. It basically positions her as realizing that maybe a “monster with a conscience” isn’t so useless after all, and that she can work to atone for her past misdeeds.
Which is fine…but it’s still a setup for future stories that may never happen. It very much feels like a series pilot, rather than a standalone movie.
I completely agree with all of the other stuff you mention about the other characters, and I think it just screams, “we tried to compress an entire season’s worth of story into a single movie.” A lot of stuff happens, but everything that would get us invested in the characters was cut.
The Fuzz reveal makes a lot more sense if if happens in, say, episode 7 out of 10.