We paid attention to films that paved the way for the genre and for filmmaking as a whole, as well as to modern classics that bring something new and brilliant to the canon today.
Right there is the end of my interest. As soon as it starts being about what someone considers important rather than actually great, it’s a list for history and not for utility or sharing what’s good in the present. I really wish people looking for quality and greatness weren’t always getting directed to historical footnotes, and nostalgia.
Depends on your horror tastes, of course. We have no interest in Martyrs or A Serbian Film type stuff even if Baskin was pretty redeemable on general weirdness, and we all know there’s plenty worse than any of those out there.
Maybe most people who watch Baskin tend to venture even further out, but it seems like a notable watershed point to me.