That’s exactly where spic games will end up, as the gaming industry crawls towards playing on their remote hardware and renting that space.
Epic games is probably an ideal candidate to buy if this is your expectation for the industry AND you own streaming giant.
A lot of European apartment parking is just a designated street parking space anyway. I’m not sure if that’s the case in Barcelona, but I see it often in the UK.
To add to that, if weight loss peptides like Ozempic are working, let them work.
My mother, in her late 60s is obese. She was forced to retire early due to this, she has had lifelong self image issues due to this, and she’s very aware that it’s both robbing her ability to enjoy her later years, and years of her life. Until this year, she was staunchly against taking Ozempic due to potential side effects, but the reality is that the side effects of Obesity are so much worse.
For an analogy, there is a lot of evidence that the quantity of people who need to wear glasses has increased because in infancy, children are not looking at distant objects, and irreversible damage is occurring to their vision as a result. Of course this is something we want parents to consider in how they realise their children, but it would be monstrous to then deprive that person of glasses because the fault is societal.
Everything on your list is the equivalent of encouraging children to exercise their eyes, and is absolutely the best way to treat obesity, but medication should be considered as a treatment beyond this.
Yeah, it’s pretty acceptable in any activity where those with interest in it are predominantly of one gender, because the sample size inevitably biases them to win.
I often think about the surprising accurate assumption that many women in game development are trans women, sometimes used in transphobic rhetoric, but there is an obvious through line between people who are socialised male but feel out of place ending up in less social, online hobbies (coding and gaming) due to that blend of expectations and ostracization.
I’m a teacher and it’s pretty obvious from a young age how almost all gendered skills are entirely that way due to social expectation.
If you ever start watching YouTube tutorials around cooking, there’s a reason Binging With Banish is a huge name.
Between ingredient cost, recipe difficulty, taste and the product actually coming out right, I’ve always found him super reliable.
But a huge part of cooking doesn’t come from recipes, it comes from experimentation. Learning how to make a simple pasta sauce from tinned tomatoes and other things is a useful step, because 90% of the ingredients last a while, so you only need to buy a few cheap bits, and can control the flavour yourself to find out what you like.
It’s worth noting that eating at home can still easily become accidentally expensive. Pasta and pasta sauce is a reliable way to keep prices low when cooking, but once you’re cooking with 20 ingredients, it can creep up quickly, although most of these can last weeks, if not months, so you only need to buy them once in a while.
There’s a clip of Conan O’Brien playing this, and you can tell he’s definitely not a gamer, and he’s so shocked by a death animation. I don’t really understand their place in the game, they are so disproportionately violent compared to everything else, and it’s random.
There is a novel called Blood Meridian that has a lot of incredibly violent scenes to the point many consider it unfilmable, but that violence is depicted as an almost detached spectacle, the prose is externalised and the scenes are never lingered on for pleasure. It’s generally considered perhaps the most violent classic novel, but the entire metaphysics and purpose of the book exists in this violence.
When I first played tomb raider, I didn’t notice half the violent scenes, because the medium is so unnecessarily stuffed with it. It wasn’t until replaying it after seeing the Conan O’Brien interview that I really honed in on it.
In comparison to Blood Meridian, it’s so much worse. It doesn’t really have a message or a story purpose beyond showing the setting as dangerous, and it lingers on the violence, taking pleasure in the sudden violence, that has befallen our protagonist who we deeply care about and can internalise her suffering easily. We see a young woman, who we live through and care for deeply, come to a brutal, sickening end due to sheer bad luck, and then we hit restart.
I’m not even really mad about it, like it said, I’m so desensitised to video game violence that I only noticed the brutality of these scenes after seeing Conan. Perhaps the creep of violence in the medium alongside the fact that in 10 seconds, she’s fine and you do it again is enough to justify it, but it’s weird that it exists so normally in the first place.
That’s exactly it, we expected better. Regardless of if one likes his music or hates it, he’s built a brand on being a decent human being. Basically every story of him before this week has been one of positivity, I’m pretty sure his rider has always been something like a glass of water and packet of crisps, he’s donated a lot to good causes and generally stood up for those who need it.
Billionaires are parasites on society, and Kraft is the kind of man who influence global politics and facilitate ethnic cleansing to line his own pockets, and nobody is surprised by that.
Sheeran showed that the moment anything is on the line, his entire brand of kindness can be bought. I actually believe he thought he was making the non-decision in this, but that was clearly motivated by a desire to keep his brand out of a situation that is basically a for-profit genocide.
Unless he gets up on stage tomorrow’s show and makes a statement with some balls, his entire persona dissolves, and that is his brand. Sadly we all know he won’t.
Day 100 of me mistaking this guy’s tweets for Edward Snowden until after I read the tweet.
I backed it in 2015 and suspected it was a scam then, with most advice online being that you should only buy it if you think you’ll enjoy what’s already out.
I think the saddest thing is that they have a lot of genuine ambition, and we’re trying truly innovative things a decade ago like a persistent world space “from pupil to planet” weather simulations that were incredible, and more. But as time has gone on, the bar has risen and everything that they had that was ahead of the curve has been done.
As a teenager, I played a lot of the early Assassin’s creed games, but fell off the franchise around Origins, when they stopped releasing to steam and kept it on the Ubisoft store, and in general fell away from gaming in general in this era.
Eventually I pick up Assassin’s Creed Origins, Odyssey and Valhalla together, probably about 3 years ago and play each. I put about 60+ hours into the first two, and somehow put 200 into Valhalla, basically just mentally switching off and getting 100% of the content, which is a lot for Ubisoft game.
Perhaps it filled a good ‘get home from work and crash’ need for me, and the experience wasn’t wholly bad by any means, but it’s so bland. I’ve dropped off the franchise entirely now, after being an obsessed fan a decade ago when I was younger and more naive. The entire game basically has 0 positive memories attached, basically no memories at all, good or bad.
I tend to hold off calling anything that’s not AI slop, but this game needs to be an exception. Assassin’s creed doesn’t deserve all the hate it gets, if you ever boot into the historian exploration mode and just walk around ancient landmarks hearing the development commentary, the respect for the historic is monumental across all the games, and in the gameplay there are lots of interesting aspects amongst everything else, but that everything else is very much the problem. Slop is the perfect word, it’s blended pulp where the quality of the ingredients vary from gourmet to rotten, and I was the pig at the trough.
I could honestly give e the exact same feedback for the Lego Star Wars Skywalker Saga game. I have find childhood memories but that game doesn’t have an ounce of passion in it.
These games aren’t helped by the fact that the 3 games I played through after this era were Outer Wilds, Disco Elysium and Hollow Knight, which IMO are the three pinnacles of what games as a medium can be.
I’m close to a similar point, my PC has been Linux for a couple of years but my old surface book has been on windows 10 (with some 6 year security update thing that was mentioned during the time Win 10 was dropped).
The main reason I haven’t dropped it is that I sometimes use it for work or uni, so compatibility and other people being familiar has been a priority but I’ve graduated and got a work laptop so it’s probably time to drop Windows outright.
I’m actually pretty lukewarm on the Witcher franchise. I’ve read all but the most recent book, tried the show for 2 seasons, and played all the games. As much as people hype this franchise as some sort of rival to A Song of Ice and Fire or Lord of the Rings, it absolutely falls short.
That said, the Witcher 3 specifically deserves all the love it gets. I actually boycotted it for a few years after release because the graphic downgrade it had after the early gameplay trailers came at a time of extreme manipulation of this sort from other studios, but eventually picked it up with both DLC in a sale, approaching it with a lot of cynicism.
Not only does Hearts of Stone tell what I’d consider the best witcher story, Blood and Wine is a fantastic post-game to the franchise in its vibrant pageantry romp through a riviera; it’s just a happy environment to end Geralt’s story in.
I would consider myself a Lord of the Rings fan, I’ve read the books maybe 3 times through and read The Silmarillion once.
I forgot the ring makes people invisible.
I did hear a point about general game dev trends which is how optimisation wasn’t really a step in older games like it is now. When confined to the MB scale, or even just the finite scale of a single disc, the process wasn’t one of bloat and then half-arsed optimization but hyper optimised from the get go. I don’t think this shift is entirely the performance budget of modern games, but the multi-platform, limitless upper end, no disc limit design of modern games.
In the film, we see the ring shrink to Isildur’s ring size when he hold it, and it remains that size when Déagol finds it, after thousands of years without a carrier.
If you put it on a chicken, it is also gonna get really small, like chicken fingers small.
I’m not sure if this is a pro or con.
I forgot Gemini was an LLM and thought this was hate for people born May 21st - June 21st, that they are dumb due to trepanning.
It is my first distro where I’m not dual booting to Windows.
I swapped to it in May from Endeavour OS as I happened to be doing a clean install, and 90% of my PC usage nowadays is gaming, and I have never looked back, even though I thought Endeavour OS would have been the end of my Distro hopping.
I was dual booking between Linux and windows 10 on the year better Win 10 end of life being announced and coming into effect.
The reality was that I was just familiar with Windows and it was easier to boot straight into that.
In my first month of only having Linux installed (Bazzite), I shamefully relied on LLMs to help me actually configure the deeper parts of my setup to actually make it how I wanted, which I felt I needed to escape windows.
But that’s literally the opposite of choosing the lesser of two evils by most people’s book. There is very little incentive to learn a new OS when you’re already familiar with one.