

The question is not whether a peasant could be an interesting character. Obviously they could. A talented writer could make almost anyone’s life compelling. The question is whether that perspective serves the story being told.
ASOIAF is a story about political power. The people who have the ability to affect those outcomes are the obvious focus.
A peon’s POV would be telling a different story and shift the focus from the people competing to the people living with the consequences of the competition. That could be a great novel, but it would not advance the retelling of the dynastic struggle for control of Westeros.
This is why I asked why you find the absence of lower-class POVs surprising. It seems like an obvious consequence of the scope and focus of the story.


This is a really cool book. I don’t think it’s particularly unique in terms of its structure but the concepts it discusses and the parallels it draws across fields are worth thinking about.